For something quite minimal, albeit sprawling and undoubtedly time consuming, Leyden Rodriguez-Casanova’s An Uneven Floor exhibition at Locust Projects evokes many possible reads. All the implications the work holds may not be immediately detectable.
By choosing these seven artists, whose work in terms of concept seems disparate, Mosquera hopes to emphasize a lateral movement toward denarration and the dialogue created between their works. The exhibition as a whole does succeed in having an ambiguous narrative flavor; it feels almost as if the works are related in some vague way and that as the viewer you are trying to connect the dots to some elusive story. But the work of each artist individually also presents a separate array of possible outcomes, and most offer some fragment(s) of their own fabricated tales.
Art nowadays is a very enigmatic activity for those not initiated in this very tiny marvelous world. Curiously, from its very beginning, art was only conceivable as an active part of the life and the community. This alienation that the contemporary arts has been trying to break down for more than a century now - through the integration of ordinary materials, subjects from the daily life, active participation of the spectator, among others - seems to be an unbridgeable chasm between the creation and the common receptor.
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