The Bass Museum of Art is back since Oct 29

ICA Miami presents “Progressive Aesthetics,” the first US museum survey for Michel Majerus, which explores the late artist’s prescient work by taking up his rich and varied interpretations of capitalism and cultural imperialism as they relate to art in American culture. Created at the threshold of the twenty-first century, Majerus’s works expound on themes of transformation and are characterized by a fascination … +

La República vista por sus artistas (the Republic through the eyes of its artists) is a survey of Cuban art created on the island in the first half of the 20th century. The purpose of this show is to pay homage to the birth of the Cuban Republic, founded on May 20th, 1902, and ending in 1959 with the Cuban Revolution. Historical … +

ICA Miami is proud to present “Carlos Alfonzo: Late Paintings,” which brings together over a dozen paintings from 1990, the artist’s final year of production. Relying on an established exhibition and research practice of delving into significant periods in artists’ work, ICA Miami takes a deep and definitive look at the final series of works in Alfonzo’s oeuvre. The largest gathering of … +

The Pérez Art Museum Miami in Florida has given its 2022 Pérez Prize to Los Angeles–based artist Rafa Esparza. The award, which honors artistic achievement, comes with a $50,000 unrestricted cash grant and was presented to the artist over the weekend at the museum’s annual Art of the Party gala. Esparza is among the most closely watched artists working in the U.S. … +

Mariano: Variations on a Theme is the first major retrospective exhibition of the work of Cuban artist Mariano Rodríguez (b. 1912, Havana; d. 1990, Havana) in the United States. Spanning almost six decades of artistic production, this retrospective features paintings, watercolors, and drawings on loan from leading private and institutional collections, including the artist’s estate, which has provided unprecedented access to rarely … +

Zhivago Duncan creates elaborate multimedia works accompanied by sprawling narratives. Much of his production is authored under the guise of various alter egos, including “Nacnud Ogavihz” (Duncan’s name spelled backwards), or the semi-amnesiac Dick Flash, the supposed creator of Duncan’s large-scale sculptural installation Pretentious Crap (2010-11), which was donated to PAMM by Diane and Robert Moss in 2014. As the sole survivor … +