Moira Holohan’s exhibition Green involves the use of woven meditative practice while exploring virtual time and space. Through a series of hand woven screens with hemp and bamboo cord Holohan investigates chroma key compositing, better known as green screen, as a playful subjective color and area which can exist as a pictorial organic object and/or a portal to a virtual transient site. The exhibition is along side the lush and vibrant vegetation of The Miami Beach Botanical Gardens further investigating the tension between the natural/real and virtual world.
George Segal’s Abraham’s Farewell to Ishmael (1987) is on view for the first time since a complete restoration. Segal first began making plaster casts from live models in 1961 and was known for his figurative sculptures throughout … +
Terry Allen grew up in Lubbock, the Panhandle city also home to Buddy Holly. And though it’s about four hundred miles to Mexico, the border has often defined his life and work. After studying at … +
Spinello Projects presents GROUNDED, a multimedia group show featuring artists, Eddie Arroyo, Franky Cruz, Francisco De La Torre, Cara Despain, Raheleh Filsoofi, Nash Glynn, Sinisa Kukec, Kunst, Najja Moon, Jared McGriff, Reginald O’Neal, Michelle Lisa … +
Between the legible and the opaque: Approaches to an ideal in place proposes works of various media that incorporate abstraction as both a formal and conceptual framework to render perceptions of place. The use of … +
WLRN reporter Nadege Green gets together with local filmmakers, Terence Price II and Faren Humes, as they discuss the ways they use film to represent and redefine Black communities in Miami. Humes’ latest short film, Liberty, … +