Coral Gables Cinema’ Screening of The Kingdom of Dreams and Madness

VANISHING CUBA is a visual storytelling project by American photographer Michael Chinnici. The collection depicts the changes Cuba is facing as it emerges from more than 60 years of isolation and decay. Michael’s 24 trips to Cuba have yielded tens of thousands of photographs, thought provoking and emotional stories, and created lifelong friendships. Vanishing Cuba is about capturing the past, present and … +

Strange things are afoot in Bad City. The Iranian ghost town, home to prostitutes, junkies, pimps, and other sordid souls, is a place that reeks of death and hopelessness, where a lonely vampire is stalking the town’s most unsavory inhabitants. But when the boy meets a girl, an unusual love story begins to blossom…blood red. The first Iranian Vampire Western, Ana Lily … +

Zurumbático is a story full of the lifeblood that permeates thousands of Latin American little towns, the roots of that giant empirical hemisphere – passionate, forgotten, fickle, violent and, above all, happy. Aracataca is the country where Gabriel García was born and which inspired his original Macondo. This place, and the surrounding geographical area in this Caribbean part of Colombia, was his … +

Join Leica Store Miami for a Coral Gables photo walk with photographer Luis Cobelo. This is a great opportunity to photograph alongside Luis and learn about his process. Luis is an expert explorer of the uncharted waters of imagination, and through his art, he invites people to step into other worlds and alternate dimensions. Expand your imagination, engage with your environment, and … +

“America’s funniest science writer” (Washington Post) asks the questions children ask in this young readers adaptation of her best-selling Packing for Mars. What is it like to float weightlessly in the air? What happens if you vomit in your helmet during a spacewalk? How do astronauts go to the bathroom? Is it true that they don’t shower? Can farts really be deadly … +

“There’s a real potency to how [Eva] Husson contrasts the sexual frankness of the young lovers’ meetings with the miserable ritual of their outside lives – the difference between white sheets and the deep reds and fussy florals of an Edwardian parlor room. —Clarisse Loughrey, The Independent “One of the sexiest period dramas in some time”—The Hollywood Reporter On a warm spring … +