Abigail DeVille is known for her dense, formless installations that involve deep engagement with the history of violence against marginalized people and places. For Lift Every Voice and Sing (amerikanskie gorki) (2017), DeVille created a hybrid structure inspired by the history of the United States whose form is based on sources as diverse as the Great Seal of the United States; the Underground Railroad; artist Jacob Lawrence’s 1941 “Migration Series,” sixty small paintings with texts that address the Great Migration of Black Americans to urban centers during the twentieth century; the Russian ice slide; and Augusta Savage’s destroyed sculpture Lift Every Voice and Sing from the 1939 New York World’s Fair.
DeVille (b. 1981, New York) has exhibited work at the Contemporary, Baltimore (2016); Contemporary Arts Museum Houston (2014, 2013); the Venice Biennale (2013); the New Museum Triennial, New York (2012); and El Museo del Barrio, New York (2011), among many others.
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